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Joker: Folie À Deux has been branded the 'most disappointing follow-up to the Oscar-winning movie' by critics, as they cast
doubt on Lady Gaga's 'thin' role in the film following its release on Friday.
The 'bleak' sequel, has also received a tepid reception from fans, with some claiming Lady Gaga's career could be at
risk.
While the same director Todd Phillips was back in the
hot seat, critics have said the sequel is just
a 'repeat' of the first hit but with an added musical twist.
Most critics have said Todd failed to use Gaga correctly in the movie
and claimed she was only bought in for the musical
aspect of it.
While the majority of critics say Joker: Folie À Deux didn't
live up to expectations, others have dubbed the movie 'bold' and 'brilliant'.
Joker: Folie À Deux has been branded the 'most disappointing follow-up to the Oscar-winning
movie' by critics (Joaquin Phoenix and Lady Gaga pictured
in the movie)
While the same director Todd Phillips was back in the hot seat,
critics have said the sequel is just a 'repeat' of the first hit but with an added musical
twist
Joker: Folie à Deux premiered at the 81st Venice International Film Festival last month and was released in the United Kingdom and the United States on Friday.
The Daily Mail's Brian Viner commended the move as
'bold' and 'brilliant' but said it lacked any thrill.
Giving the sequel a four star rating, he wrote: 'This film is audaciously different in style from the original, not as electrifying,
but bold and brilliant all the same.
'Arthur is now behind bars, waiting to see whether he will be judged sane enough to
stand trial for murder, and in the meantime enjoying his celebrity
status with fellow prisoners and even the warders, one of whom, a sadistic Irishman played by Brendan Gleeson,
feeds him cigarettes in return for jokes.
Read More
Joker: Folie a Deux is a punchline five years in the making, writes BRIAN VINER
'Lady Gaga plays Lee, a fellow inmate on her way, we suppose, to becoming
Joker's girlfriend Harley Quinn. The pair hit it off at a music therapy class, and
are soon mutually smitten, but Lee makes it clear that she loves
the dangerously charismatic Joker, 'clown prince of crime', not the gloomily introspective Arthur.
'Which is more real: the psychopath wearing the mask or the vulnerable fellow behind it?
Either way, identity confusion is the theme of this film, which
keeps being billed as a musical.
'It's not, really, although music looms large
as an expression of Arthur and Lee's burgeoning love for one another.
And there are a couple of swooning dance routines that make them look like psychotic versions of Ryan Gosling and Emma Stone in La La Land (2016).
'For me, Joker was a near-masterpiece, and while this sequel
doesn't scale those heady heights, it is still a gripping film about mental illness;
not quite comparable with all-time greats such as Psycho (1960) and One Flew Over The Cuckoo's Nest (1975), but
not too far off.'
Spot on with this write-up, I seriously feel this web site needs a great deal more attention. I'll probably be
back again to see more, thanks for the info!
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Spot on with this write-up, I really believe that this site needs
much more attention. I'll probably be back again to read more, thanks for the information!
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